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导演:
主演:
未知
上映:
2013
备注
HD
类型:
电影
剧情:
  九把刀首次監製的電影,与演员隋棠兼任出品人。  一個叫Raye的女新導演拍的一部推廣「以領養代替購買」的精神,去幫助處境可憐的流浪狗的影片。  之所以這支影片叫「十二夜」,是因為在台湾每一隻狗被捕捉進收容所後,法律保障這些狗狗有十二天的時間等待原主人找回、或被新主人領養,過了十二天,就會被安樂死。  很不幸,許多狗狗根本捱不過這十二天,因為在收容所裡極端殘酷的環境根本不允許。  本片記錄了許多狗狗被捕捉到收容所驚慌失措的那一刻,直到他們離開收容所的最後一刻……不管是以什麼樣的方式離開。  九把刀:「十二夜」影片救援計畫,希望你成為我們的天使!http://www.giddens.tw/blog/post/38756811-%E3%80%8C%E5%8D%81%E4%BA%8C%E5%A4%9C%E3%80%8D%E5%BD%B1%E7%89%87%E6%95%91%E6%8F%B4%E8%A8%88%E7%95%AB%EF%BC%8C%E5%B8%8C%E6%9C%9B%E4%BD%A0%E6%88%90%E7%82%BA%E6%88%91%E5%80%91%E7%9A%84…

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安德林妮·夏莉罗伯特·约翰·伯克马特·马洛伊
  Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.…
HD

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