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主演:
琳达·汉密尔顿,马修·哈伯,罗曼诺·欧萨里
上映:
2002
备注
HD
类型:
电影
剧情:
  故事发生在1944年的德国,伊丽莎白(琳达·汉密尔顿 Linda Hamilton 饰)带着儿子福瑞斯(Matthew Harbour 饰)藏身于森林木屋之中,以躲避战火带来的伤害。某日,三名受伤的美国士兵敲响了伊丽莎白家的房门,他们需要一个地方修养疗伤,无奈之下,伊丽莎白只得让他们进屋,但前提条件是他们的武器必须留在屋外。  没过多久,又来了三名不速之客,他们是德国士兵,在小小的木屋之中,互为敌对的两方人马狭路相逢,艰难维系着表面的平和。圣诞节来临了,众人围坐在餐桌前,共同庆祝这个上帝赐予他们的节日,杯筹交错之间,大家放松了下来,暂且忘记了各自的国籍和立场,气氛开始缓和起来。…

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  Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.…
HD

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