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导演:
主演:
洪金宝,陈勋奇,叶德娴,吴耀汉,陈百祥,田俊,彭秀霞,午马,狄威,元彪
上映:
1982
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类型:
电影
剧情:
  扒窃老手金师傅(刘克宣 饰)带着女儿安妮(彭秀霞 饰)和两个徒弟米缸(洪金宝 饰)与烟通(陈勋奇 饰),常年在闹市做着无本生意,师徒几人配合娴熟,从无失手。这日,米缸和烟通二人去舞厅勾女,颇有几许纯情做派的米缸对独坐一隅的女子亚玲(叶德娴 饰)一见倾心,两人待有进一步的发展却被一场殴斗打断。吴沙展(吴耀汉 饰)一心想逮捕米缸师徒,但无奈他身手笨拙,本是执行任务却被米缸与烟通搅黄。未几,一个犯罪团伙对米缸师徒的扒窃能力颇为欣赏,意欲购买他们偷回的身份证,师兄弟受制于人不得不完成了这次任务。亚玲找到米缸,声称自己是警方卧底,请求后者协助办案,偷走接赃集团收购的钻石,这令米缸师徒等人陷入了一场连环阴谋………

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1938 欧美
荣耀六十年
AnnaNeagleAntonWalbrookC.AubreySmith
  Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor…
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