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主演:
维勒克·范阿梅尔罗伊,埃尔斯·多特曼斯,多拉·范·德·格伦,珂洛丽·斯普尔,简·德克莱尔,埃尔希·德·布劳,雷豪特·比瑟马克,玛丽娜·德·格拉夫,扬·斯滕,卡特琳·滕布鲁根卡特,保罗·科艾
上映:
1995
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类型:
电影
剧情:
  故事发生在二战结束之后,安东尼娅(维力奇·范·阿麦莱 Willeke van Ammelrooy 饰)带着女儿达尼埃莱(埃尔斯·多特曼斯 Els Dottermans 饰)回到了久违的家乡。安东尼娅乐善好施的善良性格为战后满目疮痍的家园带来的新的希望,她先后收留了痴呆女孩代代(玛丽娜·德·格拉夫 Marina de Graaf 饰)和农夫巴斯(简·德克莱尔 Jan Decleir 饰)等人,组件了一个特殊的家族——安东尼娅家族。  一种温馨又紧密的关系维系着这些并没有血缘关系的家人们,在相互扶持之间,却也存在着难以调和的矛盾。达尼埃莱怀孕后生下了特雷莎(Veerle van Overloop 饰),小特雷莎长大后,却惨遭皮特(Filip Peeters 饰)的强暴。随着时间的流逝,安东尼娅家族不断的壮大着,而安东尼娅自己的生命却走向了尽头。…

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1985 其他
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耶日·斯图尔克里斯提娜·杨达卡里娜·谢鲁斯克
  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.…
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