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主演:
瓦莱丽·博莱同,丹尼·伯恩,德尼·梅诺谢,艾伯特·德尔佩,贝兰奇尔·麦克尼斯,马利克·班泽拉
上映:
2013
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类型:
电影
剧情:
  阿兰(丹尼·伯恩 Dany Boon 饰)和瓦莱丽(瓦莱丽·博纳东 Valérie Bonneton 饰)结婚多年,共同生养了一个美丽乖巧的女儿,然而,夫妻两人同样火爆的个性令这段并不怎么和谐的婚姻最后以离婚告终,他们彼此都发誓这辈子也不愿意再见到对方。  一晃眼,女儿长大成人,即将步入婚礼的殿堂,成为别人的妻子。在如此重要的时刻,女儿希望能够得到父亲和母亲的祝福,就这样,为了参加女儿的婚礼,阿兰的瓦莱丽踏上了旅途。让两人没有想到的是,他们竟然搭上了同一班飞机,意外的重逢使那些不愉快的旧日回忆一一闪现,两人相互刁难,争锋相对。一场意外令瓦莱丽错过了公车,于是,她决定和阿兰拼车,共同抵达目的地。…

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1972 其他
冰刀
卡罗尔·贝克艾伦·斯科特
  This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.  Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.  One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.…
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