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尸骨无存3:零号病人

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主演:
西恩·奥斯汀,吉莲·默瑞,库里·格拉汉姆,米奇·莱恩,布兰登·伊顿,克劳黛特·拉利,瑞恩·唐洛胡,莉蒂亚·赫斯特,索利·杜兰
上映:
2013
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类型:
电影
剧情:
  在风光旖旎、浪漫温暖的加勒比海滨,青年马库斯(Mitch Ryan 饰)和他美丽的新娘凯特(Claudette Lali 饰)举行盛大的婚礼。婚礼间隙,马库斯带着的弟弟乔希(Brando Eaton 饰)、美丽姑娘佩妮(Jillian Murray 饰)、好朋友多布斯(Ryan Donowho 饰)以及等人乘坐游艇出航玩耍。他们来到一座无人荒岛冒险,尽享快乐之余,却不知道死神的脚步正在一点点逼近。不久前神秘而恐怖的病毒在岛上肆意蔓延,造成了巨大的伤亡。而作为唯一幸存者的男子波特(Sean Astin 饰)由于恼恨儿子的死,不仅拒绝和相关研究者合作,还恶意散播他体内的病毒。  无意中步入这片死地的马库斯等人,发现了岛上隐藏的秘密,同时迎来了生命中最为恐怖的时刻………

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1919 欧美
盲目的丈夫们
萨姆·德·格拉斯FranceliaBillington埃里克·冯·施特罗海姆
  Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.…
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