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主演:
PeterSellers,RobertMorley,ConstanceCummings,JamesonClark
上映:
1959
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类型:
电影
剧情:
Classic British comedy adapted from a James Thurber story about a tweed manufacturer's elderly accountant who devises a plan to save the company from an American takeover bid. The arrival of an efficiency expert from the States causes enough of a stir but, when it turns out to be a woman, the old-fashioned number cruncher declares war. Man-eating businesswoman, Angela Barrows is sent by her US company to Edinburgh to investigate export opportunities. She meets businessman Robert MacPherson en route and he persuades her to help bring his company into the 20th century. The staff, lead by Mr. Martin, have other ideas and a battle between the old and new business methods breaks out.…

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1919 其他
红花之歌
Greta约翰·埃克曼伊迪丝·埃拉斯托夫
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.                                                                    The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.                                                                    As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.                                                                    “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.…
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1968 欧美
狂野街头
谢利·温特斯克里斯托弗·琼斯黛安·瓦西
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb…
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2008 大陆
桃花运
葛优邬君梅范冰冰
都市中五个婚爱观截然不同、年龄亦差异较大的女人:在保守环境中长大的章迎(梅婷)人已28岁,却从未尝恋爱滋味,发誓要把贞操留到与心爱的男人结婚那夜;小章迎几岁的“白骨精”(李小璐)性情泼辣,一心要找钻石王老五下嫁;“白骨精”的好姐妹是位“富家女”(小宋佳),为找到真心待她的男人,将自己扮成为生活打拼的普通女孩;大章迎几岁的叶(邬君梅)被丈夫抛弃,携子过着惨淡的日子,十分渴望身边能有个男人作支撑;人过50的高姐(元秋)则主动将嫌她是黄脸婆的丈夫踢下床,但过了一年多单身生活后,也想身边再有个男人。 持怎样的婚爱观,便会有怎样的恋爱经历:章迎在假面舞会上与“海归”的赵大(耿乐)又见钟情,恋爱谈了大半年,两人仍在肉体上绝对纯洁;“白骨精”相中某处在发展中的公司的老总(段奕宏),向原公司请假半年来到他的身边,开始拼命自造与他亲密接触的机会;“富家女”因为一道菜结识某酒店的“10号厨师”(李晨),冲着他的体贴与单纯,不计他的贫穷与他开始浪漫的恋爱,却也没忘暗中将他考验;叶遇到从婚介所拿到她资料、主动将她找上、自称在神秘单位供职的王莽(葛优),王莽为她和儿子所做的件件事都强过前夫(刘震云)一百倍,令她以为迎来爱情上的第二个春天;高姐则结识小她好多岁、经历复杂的网友(郭涛),这个男人亦一次次带给她感动,她也甘心为他付出全部。 五个女人恋爱谈得有甜有酸,五个男人也渐渐显出更多面,“真命天子”里,既有上天钦赐,亦有情感骗子、有缘无分的过客和想改过自新的浪子。©豆瓣…
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