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导演:
主演:
胡军,王学圻,冯国强,王乙竹,吕世平,海一天,李桂莲
上映:
1999
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类型:
电影
剧情:
  影片《冲天飞豹》讲述的是中国人民解放军空军前后两代试飞员如何飞出中国第一架国产战斗机"飞豹"的故事。首席试飞员孔凡和其战友凌知远情同师徒,但却性格迥异。年长的孔凡沉稳执著,年轻的凌知远血气方刚。由于工作性质的要求,他们随时都将面临生死的考验。作为一个普通人他们既有对美好爱情追求,也有对家庭亲人的眷恋。但为了掌握第一架国产战斗机"飞豹"的所有技术数据,他们不顾个人的得失和安危,一次次地从失败中寻找经验,终于顺利完成了"飞豹"的试飞工作。…

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1919 欧美
盲目的丈夫们
萨姆·德·格拉斯FranceliaBillington埃里克·冯·施特罗海姆
  Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.…
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