安娜是一个离了婚的单身母亲，她请了年轻的小保姆丽兹照顾她的两个孩子，她不久就发现丽兹有吸毒的问题，而且后者和男人的关系也很随便。…

Paul的父亲和哥哥死于非命。所以Paul来到一个小镇里查看到底是什么原因他的父亲和哥哥神秘死亡。故事发生在1900年初。他发现当他来到小镇的时候，当地的人民都不太友善，而且都好像生活在恐惧之中，尤其是在月圆之夜。他听说这里有一个叫做Megaera的传说，说当戈耳戈看着你的时候，她能变你为石头。在调查的时候，他发现他父亲的助手Dr. Namaroff和漂亮的Carla神神密密。Dr. Namaroff好像隐藏些什么东西，而Dr.Namaroff对Carla有意思，但Carla怀有一种奇怪病症，就是很常晕倒而且失去记忆。Paul找来他的老师Professor KarlMeister帮助他揭开谜底…

在他的爱妻去世后，心里不平衡画家本认为自己是文森特·梵高的转世，于是他挖出她的尸体 - 与他的恋尸癖管家的帮助下 - 将其带回给他的城堡，并用它赋予“灵感”。很快他就遇到一位美丽的音乐家，她的长相相酷似他已故的妻子，他将她带回自己的城堡。然而，她最终发现了他们的秘密：管家杀害了这个年轻女子并用她的尸体的血液当作他们 “生命的色彩” - 艺术家的颜料…

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一部尽情挥霍青春的卡通化喜剧，没有太完整的故事情节，但气氛轻松活泼，不乏年轻人互相逗弄的视觉笑料。加上海滩上穿梭不停的比基尼胴体，作为消暑娱乐是不错的。剧情描述高中生约翰．丘萨克跟一群疯疯癫癫的同学到新英格兰的海岛上渡暑假，碰到了美丽的大学女生黛咪摩儿，不禁情窦初开，闹得昏头转向。本片是导演萨维奇．史蒂夫．霍兰率原班人马继《Better off dead...》之后拍摄的续集，仍维持YA电影的可爱活力。…

A clever fortune-hunter with a penchant for murder does in his elderly, supposedly rich, wife and manages to get away with it. After an investigation results in a decision of 'accidental death', our crafty killer discovers that his late wife's 'fortune' is not what he thought it was. Driven to find another unsuspecting spouse; he discovers that his new bride, a widow, is no fool. When she tells him that she intends to keep her accounts separate from his, he is driven to contemplate murder once again…

World War II veteran Kuzma Kuzmich Iordanov has become a heavy drinker with no interest in finding employment of any kind. He joins a collective farm, claiming to be the father of Natasha, a resident there, and is forced to analyze his life when he finds himself falling in love.…

“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.                                                                    The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.                                                                    As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.                                                                    “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.…

《革命》是由《火战车》的大导演Hugh Hudson执导的又一部史诗般气势宏伟的巨片。艾尔-帕西诺扮演一个被时代洪流推着走的小人物，他从一个不愿参加战斗的明哲保身的小市民到自觉参战的美国公民，从而经历了美国为脱离英国统治而爆发的独立战斗的全过程。电影没有从一个伟人，例如华盛顿入手，而是通过底层人物的命运转移带出对这段历史的公正评价及当时年代各阶层勾心斗角，前线战火纷飞的残酷场面。帕西诺或者说是美国人民最终获得胜利，他们不仅赢得了自由，幸福及粮食，更描绘出一个摆脱帝制后全速前进的美丽蓝图………

Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... "Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.…

在一场冠军杯足球赛中，一个狙击手让观众席瞬间大乱。这部影片获得金奖提名，在70年代成为记录社会颂扬暴力的代表之作。…

　这是Richard Lester最好的一个片。　　An absurdist classic　　This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is th..…

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb…

伊文蓝道（赖瑞德瑞克饰）一直梦想成为和父亲一样做个医生，当他真正成为小镇医生后，因为妻子突发无可救药的心脏病，使她陷入疯狂境界，为了挽救妻子，他开始实验活体心脏移植，结果一次计划出差错使他变成神经病送进精神病院，在院中他又悄悄进行解剖活人夺取心脏的恐怖实验，在对一位医生不用麻醉药开取心脏后，他逃出医院回到小镇，企图重拾他已经破碎的医生美梦。…

这是一个上世纪20年代的真实故事。朵拉（艾玛·汤普森 Emma Thompson饰）是英国文艺圈里的一名画家，她长相帅气，心中有着世俗无法理解的感情观；同样的性格也可以在作家利顿（乔纳森·普雷斯 Jonathan Pryce 饰）身上看到。他们心灵相通，互相寄托着真爱，却又同时在其他人身上寻找慰藉。利顿在爱上朵拉的同时，也对另一名男子帕特里奇（史蒂芬·威丁顿 Steven Waddington 饰）钟情，于是，朵拉选择了嫁给帕特里奇，从而留住心爱的利顿。当帕特里奇的朋友杰罗（塞缪尔·韦斯特Samuel West 饰）远道而来后，朵拉和这个新来的朋友很快就打得火热。终此一生，他们都在不同的角色中间游走，当利顿病逝后，朵拉也结束了自己的生命。也许朵拉和利顿心中的真爱，已经交付给彼此。©豆瓣…

查尔斯•布朗森（汤姆•哈迪 Tom Hardy 饰）出身于上层社会家庭，从小就具有不可自抑的暴力倾向，布朗森没能像其他人一样完成学业和工作，在1974年结婚后，布朗森因为携枪抢劫邮局而被判入狱七年，至此，布朗森抛弃了自己的本名迈克尔，成为了臭名昭著的英国监狱恶徒。富有表现欲望的布朗森用暴力作为自己成名的途径，在狱中不屈服于任何管教，同时也得到了犯人们的钦佩和媒体的关注，布朗森自诩为“英国最残暴的犯人”，他的监狱生涯就是不断的单人禁闭、不断的更换监狱……布朗森出狱后投身地下拳击界，但不久又再次入狱，监狱暴徒布朗森的故事还在继续…… 本片根据真实故事改编。©豆瓣…