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1958 其他
不安分的年轻人们
帕斯卡尔·普缇安德丽·帕里西雅克·夏里尔
  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.…
HD
1978 日韩
海边的白房子
浅丘琉璃子木村功名高达男
  本片导演是长期担任今村昌平、市川昆等人摄像师的斋藤耕一,他的作品中常常构筑出流动的印象美。本片中风光旖旎的夏威夷景色,和诡奇的故事情节,构成了这世界上既美轮美奂,又毛骨悚然的爱情物语。  故事情节:两年前,夏子(浅丘琉璃子 )伴随着丈夫敏彦(木村功 )的工作调动来到了夏威夷,夏子察觉到敏彦的冷漠,幸福的家庭蒙上了阴影。一天晚上,夏子在卧室的窗户外看到了人,敏彦一笑置之不理。朋友的都(大信田礼子)来了,像是在鼓励憔悴的夏子,劝告她解放自我。月光皎洁的夜晚,在海边散步的夏子面前,从海中出现俊美的青年,说等待着夏子,一口气抱住了她。那以后的每晚,夏子寻找着不知道名字的青年,互相寻求告慰,沉溺于和他的爱中。敏彦因为工作关系回到东京,夏子把他送到了机场。夏子感到还是和敏彦分开比较好,决心找机会对敏彦说出全部。回家后,发现应该去了日本的敏彦坐在家中,并且一直跟踪自己,夏子对敏彦坦白了和青年的爱,敏彦说青年不存在,是幻觉症状。那天晚上,夏子留下遗书消失了。敏彦和都,为了杀死夏子,处心积虑为她设下了圈套。杀死夏子计划以成功结束,二人打算出发去美国。但是,在两人面前发生了意想不到的事情。讽刺的是,袭击敏彦和都的,是与常夏岛夏威夷的风景隔绝的恐怖事件。…
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