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魔女嘉莉1976  HD中字

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1997 日韩
胜者为王之阿三
韩石圭李美妍崔岷植
  太朱(韩石圭 饰)原本是暴力组织“倒强派”的一名跑腿的无名小卒,在一次帮派内部发生的内讧中,用自己的生命作代价,保护了老板的生命安全,使其安全的脱离了险境,从此太朱摇身一变成为帮内的三号人物。接下来太朱和帮内惯于使用烟灰缸当武器来杀人的宰哲为了争当帮内的老大结下怨仇,变成了对手。五年以后太朱接手了帮内交给的重要任务,即管理平华宾馆的业务。但素有“核炮弹”之称的监察(崔岷植 饰)成为太朱的拦路虎,太朱虽然采用怀柔政策引诱他,但还是失败了。  陪酒小姐出身的太朱妻子——玄芝(李美妍 饰)一直梦想成为诗人,偶然的机会结识了不三不四的下流诗人——冷保。在没有思想准备的情况下,失身于诗人冷保。玄芝虽然对诗人冷保很满意,但是很快又踢给了别人的太太智罗,并成为其情人。5年前遭受“倒强派”铲除的赵必失败后带领着三个徒弟走进深山老林进行了特殊的强化训练,并和“不死派”联合起来准备对“倒强派”进行报复。每天枪林弹雨,历尽15年流氓生活的太朱,至今还没有当上帮派老大。但是太朱并没有因此而放弃,他还在不断奋斗着,为了适应世界发展潮流,使帮派走向国际化,有空就学学外语,但是意志不坚定,总是坚持不下来。…
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2012 欧美
双面劳伦斯
梅尔维尔·珀波苏珊娜·克莱蒙纳塔莉·贝伊
  “天空是我们的边界。”弗蕾德(苏珊·克莱门特 Suzanne Clément 饰)这样告诉那些好奇打探她对男友劳伦斯(梅尔维尔·珀波 Melvil Poupaud 饰)变性有什么看法的人。那是1989年,她相信她们这代人已可以接纳变性人了。只是无论弗蕾德还是劳伦 斯,都要用近十年时间发现,真正手足无措的是他们自己。电影以闪回倒叙的手法讲述一个女人同她的变性男友之间跨越世纪的情缘。对劳伦斯来说,变性是生存的前提,是令他在水底闭气30年终于呼吸的第一口氧气。然而劳伦斯只是决定了自己的性别,他没想过变性后的人生,他更没有想过,要用十年来验证和生命中最重要的朋友/恋人——弗蕾德的感情。  《双面劳伦斯》是加拿大年轻导演泽维尔·多兰的第三部剧情长片,也是多兰从影以来最富野心和史诗风格的作品。与前作相比,本片不再带有那么强烈的自传色彩。然而多兰巧妙的从特异边缘角色身上提炼出人类感情的共性——那些热恋、争执、动摇、变质与重构背后的内核,从而让主题回归到自己最得心应手的“多兰美学”:信仰和追逐那些“不可能之爱”。《双面劳伦斯》入围第65届戛纳电影节“一种关注”单元,获得该单元的最佳女主角奖以及年度酷儿棕榈大奖。…
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1948 日韩
检事和女先生
  Synopsis  "Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate!" A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.  Notes  "A silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha)  A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as "byeonsa"in Korean). Numerous critics have recommended the film, praising it as "a silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha), "the work of Korea's last silent movie narrator" (Kim Hong-joon), a movie that "reflects the public's consciousness and has great historical value" (Lee Seung-hun), and "the archetypal new-school film" (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or "talkies") had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.  Afterword:  - Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.…
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