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贱民  HD中字

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2002 大陆
爱情钥匙
潘粤明刘婕
  韩景明是一家防盗门销售公司的副总,女朋友费小园是报社网络恋情版的一名记者。和所有追求忠贞爱情的恋人一样,经过漫长的情感考验后,韩景明和费小园决定下半年登记结婚。一天,主持网络恋情的白帆姐去往新疆寻找心爱的恋人后,费小园接过白帆的交椅,成了网络恋情的主编。  谁也没有想到,当费小园以“夏日雪花”的网名约见自称是“自由自在地飞”的网友时,出现在她面前的却是自己平时最放心的韩景明。尽管韩景明一再解释自己根本不相信什么网络恋情,只是出于寻求刺激才上网聊天,并约见网友,但一切的解释都不足以抵消小园对真爱的怀疑。  小园走了。好在小园的房间钥匙还在韩景明手上,而韩景明自己的房间钥匙却被小园带走。就这样,两个都不愿意和父母住在一起的年轻人分别住进了对方的房间。这其间,虽然韩景明不停地向小园解释、检讨,但小园就是不肯表露出有原谅韩景明的半点意思。  小园患有老年健忘症的父亲的走失,给濒临分手的一段爱情送来了一线转机,而白帆回来后的一番爱情箴言更是让小园如梦初醒。当韩景明用费老伯的支招,在他们爱情开始的地方准备还回小园的钥匙时,两个差点在爱情路上走失的恋人终于重新开始了他们的幸福之旅。…
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1983 其他
极度恐慌1983
PaulNaschyJuliaSalyLolaGaos
  PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.  We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.  PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film.  http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm…
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